4th Dec, 2022 2:00 EST

American Art and Pennsylvania Impressionists Featuring the Collection of Charles and Virginia Bowden

 
  Lot 33
 

33

N.C. Wyeth (American, 1882–1945)
The Father Kept the Children Near Him, but Always Young Olaf Looked with Tragic Eyes Toward the Slope Where Padfoot Waited

Signed 'N.C. Wyeth' bottom right, oil on canvas
24 1/8 x 44 in. (61.3 x 111.8cm)
Executed in 1923.

Provenance

The Artist.
Mrs. N. C. Wyeth, until at least 1969.
Private Collection, Chicago, Illinois.

Sold for $113,400
Estimated at $120,000 - $180,000


 

Signed 'N.C. Wyeth' bottom right, oil on canvas
24 1/8 x 44 in. (61.3 x 111.8cm)
Executed in 1923.

Provenance

The Artist.
Mrs. N. C. Wyeth, until at least 1969.
Private Collection, Chicago, Illinois.

Literature

Vingie E. Roe, "The Grace of the Dim Strain" in Hearst's International, Vol. XLIV, no. 1, July 1923, pp. 22-23 (illustrated).
Douglas Allen and Douglas Allen, Jr., N. C. Wyeth, The Collected Paintings, Illustrations and Murals, Crown Publishers, New York, 1972, p. 260 (illustrated).
Christine B. Podmaniczky, N. C. Wyeth, A Catalogue Raisonné of Paintings, Scala, London, 2008, I.948, p. 452 (illustrated).
The Brandywine River Museum of Art’s N. C. Wyeth, A Catalogue Raisonné of Paintings, NCW: 1423 (accessed online, illustrated).

Note

Considered one of America's greatest illustrators of the 20th century, N. C. Wyeth garnered considerable acclaim for his work with the publishing company Charles Scribner's Sons, particularly for his compelling illustrations of Robert Louis Stevenson's Treasure Island in 1911. The Father Kept the Children Near Him, but Always Young Olaf Looked with Tragic Eyes Toward the Slope where Padfoot Waited was executed in 1923, some 10 years after the artist's first commission for the publishing company's popular series of classical stories. The painting served as an illustration for Vingie Roe's The Grace of the Dim Strain, a short story published in Hearst's International in 1923.

With its restricted colored palette (almost all en grisaille) and panoramic format, the present work bestows N.C. Wyeth's talent for setting a dramatic atmosphere. The characters are all lined up as if they were on a stage. Although they all look in different directions, which adds to the dynamism of the scene, they remain unified by the mustard-yellow hue present on each of their attire. The apparent strong wind, paired with the ominous clouds rolling in the distance and the impressive shadow cast at the mountain's feet, imply something ominous is about to occur, which the viewer is dreading, yet impatiently waiting, to see.

Images *

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Newell Convers Wyeth