Freeman's newest exhibition features the work of Navanjali Kelsey and Hong-Bich Huynh Vernon.
07/15/2022 Latest News, News and Film
From Pennsylvania Impressionists to some of the twentieth century’s most influential Illustration artists and colorists, many of the artists who garner the most market enthusiasm at Freeman’s began their careers at the Pennsylvania Academy of the Fine Arts. PAFA was founded in 1805—the same year as Freeman’s founding—and is the nation’s first art school and museum.
In a synchronous collaboration between these two Philadelphia institutions, Freeman’s presents Reflections, an exhibition of works in our 2400 Market Street gallery by two PAFA MFA graduates, Navanjali Kelsey and Hong-Bich Huynh Vernon. Featuring paintings and mixed-media works by Kelsey and Vernon, Reflections will be on view at Freeman’s from July 18 to September 16, 2022.
Navanjali Kelsey, The Lotus Seed, 2020 | China marker, watercolor, gouache, and embroidery thread on paper
Navanjali Kelsey’s dynamic, colorful works—most of which are works on paper made with watercolor, marker, and/or gouache—have their roots, in the artist’s own words, “in Indian miniature painting, which is rich with pattern and detail.” Works like The Lotus Seed are at once figurative and abstract, calling to mind the sights and sounds of Bihar and West Bengal, India, the regions in which the artist’s parents were raised.
Navanjali Kelsey, Hexagon Wars, 2020 | China marker and watercolor on paper
The rich patterning in Purple Prickles All Down His Back and Hexagon Wars reveal a simultaneous preoccupation with geometric, human, and natural forms—goddesses collide with flowers, leaves, abstract patterns, and geometric shapes. “These forms are suggestive and reminiscent of the art I have witnessed in my childhood home,” says Kelsey, “but take on a life of their own.”
Hong-Bich Vernon, Silent Hymns #1, 2021 | Mixed media (encaustic, print transfer, litho, oil, wax crayon) on wood panel
The work of Hong-Bich Huynh Vernon also draws from memory to reflect on family and the passing of time. Selected works from her series Silent Hymns: One Day at a Time on view at Freeman’s “are a tribute to my father, who died in May of last year at the age of 99,” says Vernon, “and reflect on disquieting pandemic stillness and a world in disarray.”
Hong-Bich Vernon, Silent Hymns #2, 2021 | Mixed media (wood lithograph, wax crayon, carving) on wood panel
Where Kelsey’s work dwells in the sensory experience of home, Vernon’s asks fundamental questions about the meaning of home itself. Vernon's family fled to the United States in 1975, just days before the fall of Saigon; through drawings, paints, wax encaustic, mixed media, and found objects, she explores both the fragmented memories of being uprooted from home and the process of forging new roots in new places.